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CND NEWS INDEX

 

CND IN THE NEWS

18-24 September 2003

1 Living ethically: a comprehensive guide
The Guardian, Friday September 19, 2003
http://money.guardian.co.uk/ethicalliving/story/0,13437,1045719,00.html

I live in a council house in Swansea. My grownup kids have left home now. I was retired from social services in Salisbury, and before that used to work with adults with learning difficulties and for Quaker Peace & Service in Dorset in the 80s. That's the first thing: try to do an ethical job. For students and graduates, People & Planet have an ethical jobs service.

Most people like me tend to hoard stuff because they hate to chuck things. This means you have lots of weird bits and pieces to play with. My boyfriend and I constructed a wonderful 'bullshit detector' out of bits of old vacuum cleaner, phone, alarm clocks and torch pieces to point at Fairford Airbase and emit noise of bullshit detected. You can have fun.

Nearly everything can be repaired or recycled if you try. Otherwise it can be given to charity to sell, use or recycle. Mend your clothes, and have things like videos repaired. Buy second hand or recycled. When my kids were little I made some of their clothes out of old things of mine, as well as a lovely patchwork blanket from old dresses. You can buy clothes, china, cooking equipment, books, furniture and suchlike from charity shops and car boot sales. I've had nice stuff out of skips. Charity shops and charity/craft sales are good for Christmas presents and cards. Buy Fairtrade and organic. The Co-op is fairly ethical, as are local markets.

Look after the birds. I seem to have increased my sparrow population (they are endangered) and also had bluetits nesting in a nest box this year. Feed them and give them water: they are such entertainment. Don't cut hedges till nesting has finished. Keep lots of untidy garden bits for wildlife. Let things go to seed for birds and animals to eat.

Murder slugs with a torch at night: putting out pellets kills hedgehogs & birds who eat them. I have just rung Unit(e) to change to greener electricity. If I was like my boyfriend I would live in a dome or tipi & have no electricity, but I like houses. If I was rich and not on incapacity benefit I would have a house converted to alternative energy rather than a council house ...
I belong to The Phone Coop, which is a cooperative, and they donate money to the people who advertised them. I filled in a form in either Amnesty, Peace News, Green World or Ethical Consumer, one of them is getting the dosh. Sadly, being green doesn't improve a menopausal memory ...

I belong to Henry Doubleday Society and their seed library. You pay to be a member and receive a few rare seeds each year, then grow and save the seeds to sow the next. I swap the excess with others. Even if you only have a windowsill you can grow tomatoes with heavenly flavours: brilliant ones include Tomato Broad Ripple Yellow Currant, tiny yellow tomatoes that kids love. I grow my own garlic, sweetcorn, chillis ... You can feed stuff with foul mixtures you make for free yourself. If you put comfrey and nettles in a bucket with water and cover it, it makes a good tomato feed (although it stinks!). You can grow lovely pumpkins in your compost bins when they are full of compost.
Use rechargeable batteries. I have a solar recharger which I bung in the window. The wind-up solar radios are good. My boyfriend has one which is an alarm clock and torch as well - no electricity at all!

Use the library. Read and learn. I'm just finishing my Open University degree: not bad for a woman who was asked to leave her crap secondary school.
Use shopping bags and refuse carriers. If the buggers still come in your house, line bins with them or recycle them back to shops or to charity shops. You can buy ethical washing powder, toothpaste, loo cleaner- look in ethical consumer magazines. You don't need makeup.
In the past I have made jam, marmalade, pickles and orange and lemon squash. I didn't want my kids full of E numbers.
Use envelope labels to reuse envelopes. Make cards. When I was very poor I used to make my own Christmas crackers ... bought the cracker bit, used looroll inners, crepe paper and bought little things to go in.

Get involved in things like CND, Amnesty, the Green Party, etc. Write to your MP, use what's left of our democracy. Protest. Join the Amnesty Greeting Cards Campaign and write to prisoners of conscience.
Cook, and teach your kids to. If you are poor you can use old wartime recipes: they are cheap, as are vegetarian Indian recipes. Try Madhur Jaffrey's Eastern Vegetarian Cookery - gorgeous recipes made with really cheap ingredients.
Use water butts. I often siphon my bath water on the garden. I wanted a water meter, but the council said I would have to pay £99 to have one put in and then pay to have it taken out if I moved. I'm thinking about it.

Don't buy things made by slaves, such as trainers by firms who pay nothing to the women who work locked into factories with no breaks. Investigate the origins of everything.
Try your best - it's often a case juggling your situations and what you can afford, although even on very low income we are never as poor as people in the developing world.

I try not to use heating until October and not use the phone until after six. Being economical means I have more money for ethical stuff.
Be kind and local. When I moved to a house in Dorset, an elderly lady left a bunch of flowers on the doorstep with 'welcome from number...'. When I was in Salisbury and had a small operation, a neighbour sent dinner over. Look out for old people and kids. Water plants and feed cats for neighbours on holiday. Welcome asylum seekers. Stand up for them. Learn first aid. Be useful.
Do you remember the Water Babies? Mrs Do as you would be done by? That's ethical living and worth trying, instead of all this eye for an eye crap that Bush and Sharon indulge in.
I bet you already know how to use low-energy light bulbs ...
Loppy Garrard

• Anything to add? Send your comments and tips to Leo Hickman at ethical.living@guardianunlimited.co.uk.

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2 US defence experts criticise SNP's 'damaging' defence policy
The Scotsman, 23 Sept 2003
http://www.news.scotsman.com/index.cfm?id=1055512003

HAMISH MACDONELL
THE Scottish National Party suffered an embarrassing pre-conference set-back last night, when some of the most senior and well-respected defence experts in the United States lambasted the nationalists’ defence policy.

The group included James Baker, the secretary of state between 1989 and 1992, during the presidency of George Bush snr, and Charles Kupchan, who was director for European affairs on the National Security Council during the first Clinton administration. Their views, published in Holyrood magazine, made uncomfortable reading for the SNP because they set out in detail where they believed the party had got it wrong, particularly over plans to remove nuclear weapons from Scottish soil and to pull out of NATO.

The experts voiced fears that the nationalists’ defence policies would cause damaging fractures within the UK and also have a negative effect on US-UK relations.

Mr Kupchan said: "Were an independent Scotland to pursue a policy of unilateral nuclear disarmament it would be to strain its relations with the US."

Robin Niblett, from the Centre for Strategic & International Studies in Washington, said there would be a concern that if Scotland got increased autonomy, it would make strong foreign policy almost impossible - and make it less likely for the prime minister to take strong stands.

Dr John C Hulsman, of the Heritage Foundation in Washington, argued: "No-one would stop Scotland, but there would be consequences to these grand-standing moves.

"Scotland would be left out in the cold. SNP policy smacks of the CND - wrong then, and wrong now."

Mr Baker said a decision to pull out of NATO would go down poorly in the US, adding: "But it would be Scotland’s loss".

Dr Nile Gardiner, who is based at the Heritage Foundation, said: "The breakup of the UK would be detrimental to American interests.

"As for unilateral nuclear disarmament, this would be viewed very negatively. Scotland would be viewed as a problem state, much like France and Belgium are today. A Scottish withdrawal from NATO would be viewed as very disruptive, and would cause considerable concern in terms of the knock-on effects.

But a spokesman for the SNP hit back. He said: "Supporters of NATO are obviously going to argue in favour of countries maintaining membership. This is a choice for the Scottish people, however."

NATO last night named Jaap De Hoop Scheffer, the Dutch foreign minister, as its new secretary general, succeeding Lord Robertson of Port Ellen, a former Scottish secretary.

Mr De Hoop Scheffer, 55, a career diplomat, said: "I have accepted the nomination as an Atlanticist and as a European.

"I think these two elements can be combined very well because the essence of NATO is building on that permanent bridge between the two continents.

I’ve always been in favour of a strong Europe."

Nicholas Burns, the NATO ambassador for the US, said Mr De Hoop Scheffer was the ideal person to advance work on the transformation of the 19-nation alliance "to confront the new threats of terrorism and weapons of mass destruction".

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4 US experts attack SNP defence policy
http://www.news.scotsman.com/index.cfm?id=1054882003
The Scotman, 23 September 2003

HAMISH MACDONELL
SNP leaders suffered an embarrassing pre-conference setback last night when some of the most senior and well-respected defence experts in the United States lambasted the nationalists’ defence policy.

The group included James Baker, who was secretary of state to George Bush, the former president, and Charles Kupchan, who was director for European affairs on the National Security Council during the first Clinton administration.

Their views, published in Holyrood magazine, made uncomfortable reading for the SNP because they set out in detail where they believed the party had got it wrong, particularly over plans to remove nuclear weapons from Scottish soil and pull out of NATO.

Mr Kupchan said: "Were an independent Scotland to pursue a policy of unilateral nuclear disarmament, it would be to strain its relations with the US."

Dr John C Hulsman, of the Heritage Foundation in Washington, said: "No-one would stop Scotland, but there would be consequences to these grand-standing moves. Scotland would be left out in the cold. SNP policy smacks of the CND - wrong then, and wrong now."

Mr Baker said a decision to pull out of NATO would go down poorly in the US, adding: "But it would be Scotland’s loss".

An SNP spokesman said: "Supporters of NATO are obviously going to argue in favour of countries maintaining membership.

"This is a choice for the Scottish people, however."

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5 A rebel in suburbia
http://www.portal.telegraph.co.uk/arts/main.jhtml;$sessionid$QIACWMUUF5AJDQFIQMGCFF4AVCBQUIV0?xml=/arts/2003/09/23/boball23.xml

Bomb the BBC, trash the Tate . . . in his latest controversial novel, J.G. Ballard chronicles a violent middle-class uprising. But does this jovial septuagenarian really want a revolution in Shepperton? Emily Bearn meets him

A few years ago, J. G. Ballard described himself as a man of "complete and serene ordinariness" - an image he hasn't had much success in getting across. At 72 he remains one of Britain's most bankable novelists, and one of its most controversial.
One of his best-known books, Crash, was inspired by his obsession with car crashes and deals with "the mysterious eroticism of wounds; the perverse logic of blood-soaked instrument panels, seat-belts smeared with excrement, sun visors lined with brain tissue".
The publisher's reader who first saw the manuscript (herself the wife of a psychiatrist) wrote: "This author is beyond psychiatric help."
If true - and Ballard tells me he took it as "proof of complete artistic success" - it does not appear to have afflicted his writing. He has written 17 novels, all of which have been translated into at least 20 languages and three of which - The Drowned World, Drought and Crash - are generally considered modern classics.

His latest book, Millennium People, could join the list. It is upliftingly radical, portraying London's middle-classes in violent rebellion against the temples of middle-class propriety - the BBC, the National Film Theatre, Peter Jones - there is even murder at Tate Modern.
As Ballard explains: "It is about my own people, the English middle classes, having to cope with the world of 2003 and not liking it . . . they're rebelling simply because they feel ruthlessly exploited."

I have been invited to discuss this middle-class exploitation with Ballard at his home in Shepperton, a somnolent (and resolutely middle-class) London suburb in which he has occupied the same small 1930s semi for the past 43 years. His street is lined with identical-looking houses with names such as "Laurel View" and "Ivy Dene" and bears a passing resemblance to Beverly Hills in that there is no noise and not a single human being in sight.

He used to claim that he stayed in Shepperton because it gave him unique insight into what middle-class England was up to, but this afternoon he insists the motives are more mundane.
"When I first came here I liked it because it was green and quiet - it was as simple as that really," he says, ushering me through a hall silted up with junk (including a lawn-mower, a tricycle and a spade), and into a dining-room in which every surface is heaped with yellowing papers and decaying pot plants.

He is reported never to have cleaned the house since he arrived there in 1960, a rumour supported by the thick film of dust coating absolutely everything, in true Quentin Crisp style. Although he has a girlfriend who lives nearby, she has clearly not been let loose on the mess.
"Please!" he cries, sitting me down at a table covered with a dead palm tree. "Don't ask me about the dust! Everyone is fascinated by my dust - there must be more interesting things to talk about."

In fact, Ballard seems so jocular one imagines he would be game to discuss just about anything. He speaks in a throaty yet animated voice of the sort that suggests that - in contrast to the "exploited" middle classes of his fiction - he is permanently amused.
"Shorthand!" he says, roaring with laughter as I dig out a notebook, rather than the tape recorder he expected. "Good for you! I write all my books in longhand!" (He does not have a computer or an answer-machine and, when I ask for his telephone number, he has to look it up.)
One character in Ballard's book claims that "the middle class is the new proletariat", made financially and spiritually impoverished by exorbitant school fees and house prices, and by an anxious need to compete. "They have no job security and they have an education that doesn't equip them for anything much," he explains, rocking his considerable girth back and forth in an antiquated leather chair.

"Fifty years ago, a degree guaranteed you a job for life and a certain standard of living. But that's not true any more. People in middle management are forced into early retirement and the polls reveal huge levels of dissatisfaction. The traditional privileges of the middle classes are no longer there. My characters are extreme cases, but the book anticipates what happens when middle-class dissatisfaction reaches crisis point."

What happens is spectacular. London's bourgeoisie throws off the chains of civic responsibility, smoke-bombing department stores, barricading residential streets and trashing upmarket travel agencies. Molotov cocktails are concocted from bottles of vintage Burgundy filled with petrol and corked with regimental ties. As one character puts it: "This is hard-core. From now on ordering an olive ciabatta is a political act."

"I think there's a lot of humour in it," Ballard says, running a hand over his gently protruding stomach. "But I'm not trying to poke fun at the middle classes. They're an easy target but it's not satire. I suppose one could say that my humour is deadpan."
But would the middle classes resort to violence, as they do en masse in Millenium People? Ballard is confident that they are up to it. "I really do think they are capable of rebellion," he says, brushing away a few strands of untamed grey hair from his collar.
"When they attach themselves to protest groups - CND, animal rights, genetic crops - they're quite capable of violence, even planting bombs under scientists' cars. It's a myth to think that the middle classes are incapable of violence. They're just very patient and they need to be sufficiently provoked before they explode."

One of the recurrent themes in Ballard's fiction is the notion of a middle class brainwashed both by the BBC - with, as Ballard puts it, its "Old, Reithian values of education" - and by cultural institutions such as Tate Modern, "a sort of middle-class disco, designed to anaesthetise any real aesthetic challenges that might occur to them."

He repeatedly stresses that the views of his fictional characters do not necessarily reflect his own (although it is bombed in the book, Ballard tells me he himself is "a great supporter of the BBC"), yet he clearly feels some solidarity with them.
"You could certainly say that I'm sympathetic to my characters," he says. "But you have to remember that I am writing about extreme cases. I myself would not go out and start upturning cars."

Indeed, when it comes to rebellion, it's hard to image J. G. Ballard on the front line. His appearance is a study in Pooterish bonhomie - slightly corpulent; cosily dressed (on the afternoon I visit he is wearing sagging black trousers and a pair of brown loafers, possibly slippers) and with a face permanently erupting in mirth. It is often commented that he looks at least 10 years younger than he is, and he keeps fit with daily walks along the Thames.

"I don't know if I'm well," he says, sounding wholly unconcerned by the matter. "You'd have to ask my doctor that."
As a writer he has been described as "the scourge of complacency" - a notion that makes him quake with laughter. "Am I? Who said that? I've never thought of myself in those terms. I hope I provoke people into the odd thought about the way the world's going. But I'm a novelist, and I don't think novelists are thought of as a threat to the status quo. At least not now."

Certainly, Ballard appears less steamed up than his ficitional characters, and when he talks about politics it is with a sort of affable ponderousness. Blair is "a very strange man"; Cherie is "possibly stranger", and while he believes that "the Hutton inquiry has pulled back the curtains and shown what a corrupt business government is", one senses that he's not minded to do much about it.
Yet when it comes to "provoking people into the odd thought", his fiction has made quite an impact. After abandoning a medical degree at Cambridge University, he established himself in the 1960s with a series of best-selling apocalyptic novels - The Drowned World, The Drought and The Wind from Nowhere - portraying the world beset by natural upheavals.

His later works dwelt on the soul-destroying features of the modern world, such as skyscrapers (High Rise), city planning (Concrete Island) and - most famously - man's relationship with the motorcar, which became the subject of Crash (1973) - later made into a controversial film by David Cronenberg.

His obsession with car crashes was to become the stuff of legend. He organised an exhibition of them at the ICA, and could rabbit on cheerfully about the erotic conjunctions of mangled metal and flesh. He was even reported to have silenced dinner parties by producing photographs of his girlfriend's car-crash injuries, or urging her to show off her scars.
"Car crashes were simply becoming a popular obsession at the time," he says. "Every film seemed to be about them. I'm just an observer. That's what being a novelist is about. I wasn't actually interested in car crashes myself." (You could have fooled his readers.)
It has been suggested that Crash and the other "atrocity" novels of the 1970s were provoked in part by the loss of his wife, Helen, who died in 1964 after suffering from pneumonia during a holiday in Spain.

"I suppose there might be some truth in that," he says. "I was trying to make sense of a terrible tragedy. It seemed to prove that black was white. It was a terrible crime of nature against this young woman, and I think I felt very angry that nature could behave in such a cruel way. I think an attempt to solve the mystery was part of what drove me along."

After his wife's death he was left in charge of their three children, aged four, five and seven, whom he raised single-handedly. "I loved it," he says, implanting a fist on the film of dust lining his dining-room table. (As he once remarked: "You can do all the housework in five minutes if you don't make a fetish of it.") "We were all living here and I didn't have much help, but they were the happiest days of my life. They really were."
His own childhood was less peaceful. In his book Empire of the Sun (later immortalised on screen by Steven Speilberg), he described his childhood in Shanghai and, in particular, the three years, from 12 to 15 years old, which he spent in a Japanese internment camp during the Second World War.

"It was a huge slum, and like all teenage boys I was running wild," he says. "I enjoyed it most of the time - it was terrifically stimulating. Though I'm not sure that the adults had such a good time.
"I think the war did help shape my view of the world. As a child you can't see grown-ups under extreme stress without learning something about human nature. Most middle-class children never see their parents under stress." (A belief with which today's middle-class parents might not concur.)

While Ballard's fiction depicts a world of soul-destroying blandness, one senses that he doesn't feel a victim of it himself. At 72, he retains a seemingly inexhaustible gusto for life and appears to view the modern world as a source of fascination, rather than as a cause for depression.

"I'm not disillusioned with it but I do sometimes find myself slightly dismayed," he says, fingering one of the dead palm fronds heaped between us on the dining-room table. "We're not living in a heroic age, which some people might think is a very good think. But there's a suburbanisation of the planet going on, and, you see, that's a problem . . ."
At this point we are interrupted by a ring on the door-bell. "God! Who's this?" he mumbles, levering himself out of his chair and picking over the rakes and lawnmowers to reach the front door. A minute later he returns.
"A satisfied customer!" he says, collapsing back into his chair with a clap of his hands and an expression of unmitigated glee. "It was a Shepperton resident wanting a book signed - I don't get many of them!"
For publishers wishing to reproduce photographs on this page please phone 44 (0) 207 538 7505 or email syndicat@telegraph.co.uk
• Millennium People by J. G. Ballard (Flamingo) is available for £14.99 plus £2.25 p&p. To order please call Telegraph Books Direct on 0870 155 7222.
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